Showing posts with label clothing. Show all posts
Showing posts with label clothing. Show all posts

Wednesday, 3 August 2016

THE JOY OF SELF-EXPRESSION


Tribes have always been around. Not just in the collective sense of groups of people who are connected in relation to their social, economic or religious ties. Or the more familiar blood relations. But cultural tribes. Those groupings that are instantly obvious usually because of the clothing that people are wearing. Again, social factors play a role. Even going back hundreds of years. After all clothing is often an economic marker - can you afford crinoline or velvet or hand-loomed fair trade organic cotton? 

And just as with so many other aspects of society and culture, this is often played out in the world of children. Mainly because parents make the purchases, and determine which tribe they want their little ones to belong to. This is not always a conscious decision, but it is there. And in the online world of Instagram it is played out large.

Is your child a modern minimalist, a character out of Little House on the Prairie, or do they look like they have stepped out of a lecture at Harvard? 

Often children play along with this game because they enjoy mimicking parents, and the sense of belonging that comes with looking like those around you. Part of the reason that #minime and #twinning are such popular hashtags (although not always just related to parents and their children).

I know that my daughters get excited when they have an item of clothing that's similar to mine. And my son was thrilled when his dad bought the same brand of trainers as him recently. There's something wonderful about being connected to your tribe.

But self-expression is important too. Some of the style icons from last century went against the grain of what was popular or acceptable at the time. Look at Coco Chanel and her penchant for wearing trousers, and men's clothing. While it was considered de-classe, her legacy is real.

Allowing children to express themselves can foster a healthy dose of self confidence. That their choices and decisions are valued. My son has dressed himself since the age of two, and has always enjoyed doing things his way. Initially it was pulling his socks up to his knees and then crossing his velcro straps over to create patterns - from crosses to chevrons. There is no harm in this, and by not "correcting" him it has helped foster his sense of creativity which has continued to grow. He's not afraid to experiment or explore ideas. He has freedom to think for himself.

Of course, children can also go through stages were their sartorial choices can look more like a fancy dress party. And while we've allowed dress-ups we've also explained that there's a time and a place for everything. School and certain social occasions deserve respect. 

Also, when all of the clothes in your wardrobe are of a similar colour palette then it doesn't always matter how they are mixed. I find this true of my own clothing. Years ago I sold and donated heavily patterned clothing, and items that only worked with one other item as they were too much work. It's an easier life when you grab almost any top and bottom and they are complementary.

Each one of our children has a different personality and they express this through their clothing choices. We see this most acutely with the girls. While the eldest has always gravitated towards "pretty" dresses, especially ones that spin, the younger is more interested in striped t-shirts, a simple skirt (usually with pockets) and leggings. It's been a valuable lesson in realising that not all clothing can be passed down. But everything within their wardrobes works cohesively and this gives us as parents the freedom of time to allow them to dress themselves. 

And, yes, they are of our tribe. We value handmade clothing made with natural fibres, and organic materials when possible. That gives us joy. And we want them to learn that your sartorial choices can bring happiness. In more ways than one.

images the indigo crew




Monday, 7 March 2016

SUMMER ESSENTIALS - WOMEN



While summer is officially over in Australia, it is still hot. Most days we are experiencing temperatures above 30-degrees-C, and it's incredibly humid too. Or at least in the areas near where we are based. So I thought it wouldn't be out place to share some of my summer essentials.

My days consist of working from home, travelling to other people's houses for photo shoots and, of course, living and working on a country property. Clothing tends to be casual but with an eye for detail and design. Comfort, yes, but never at the expense of everything else. There's nothing that can quite set you in the right frame of mind as a beautiful piece of clothing. Something that makes you feel, and look, good.

Note: I tend to buy items on a needs basis rather than because new wares have hit the stores. Some pieces have lasted years, and I expect to be around for many more. So I've listed similar items where necessary. Also, I've included items I would like to purchase when my current pieces need replacing.

 image mamapapa






image smallable

Dresses
I am and always have been a dress person. I enjoy the simplicity of them - that you don't need to "match" or consider an ancillary piece that will complement it. Also, I've always found them to be more flattering on my body than a top and skirt or trousers or jeans, which can be more of a struggle to find flattering cuts. Generally, I tend towards feminine slightly bohemian styles, often with lace details.

In summer I choose light fabrics - soft gauze cottons or linen to keep cool. I enjoy wearing natural materials and pieces that wash easily.

Over the years, I've found a few labels that I gravitate towards regularly because of the style, cut or fabric. These include Ace & Jig, Lemlem, Malene Birger, Mamapapa and, more recently, Numero 74

I've always found beautiful clothing at Christensen Copenhagen, Jim and Jane, Joanie Loves Chachi and Mr and Mrs Smith Manly

Labels I'm eyeing off include Christy Dawn, Meg by Design, Paddo to Palmy and Ulla Johnson. I'm also looking forward to seeing the recently released organic range from Yoli and Otis




Hats
I've always loved hats. They are such a fun accessory and as I get a little older I'm enjoying their sun-shading benefits too. For summer, I've worn a Panama hat for years. However, more recently I've started to wear this one from Brixton. And I'm eyeing off the beautiful range from Sarah J Curtis. Fallen Broken Street is another great Australian brand too.



Footwear
I basically live in about three different types of shoes over summer - Splice slides for the beach, Bensimons for around the property (love that I can slip them on and off so easily) and a pair of Sol Sana roman style sandals that I wear to dress up a little more - I bought the ones above from Jim and Jane.





Bags
I have a few bags that I alternate, depending on the occasion. For life with children (and work when I'm carrying my laptop) as well as travel, I regularly use my Tampico linen bag. It's brilliant. It has plenty of room, goes with pretty much everything and holds a ton of things. 

When it's just me and I'm carrying my wallet and a few smaller items such as sunglasses, I use one of two bags - a camel-coloured leather one from Estellon (which I always receive comments on - above) and a teal blue leather over-the-shoulder bag Mini Gueliz from Lalla, which comes with a Liberty floral print lining.

For the beach, I use my French market bag.



Swimsuit
I've had a Zimmermann swimsuit for years that's still going strong. I love the cut. It's low around the legs - reminiscent of 1950s style swimsuits - and rouched around the front so forgiving for post-baby bodies. It also has a tie at the front that can go around the neck (for extra support while swimming) or can tie in a bow at the front (to prevent strap tan lines). I've seen similar at Malia Mills, above.

images (unless stated otherwise) the indigo crew


Monday, 22 February 2016

FAVOURITE SUMMER CLOTHING ESSENTIALS



After continual rain in January, it's been wonderful to feel the summer sun again this month. It's meant that we've been able to get out to the beach, and enjoy the great outdoors in general.

While I often buy ahead of a season, I've learnt that there are no certainties when it comes to children and what they will love wearing. So I thought I'd share what have been some of the big hits of the summer.

TWO-YEAR-OLD GIRL



Dress
This dress belonged to her sister but now she has claimed it as her own. No sooner is it washed then it's straight back on again. 
Dress - a few seasons ago from Mabo Kids.



Beach dress
Both girls have one of these dresses and it's ideal for wearing to the beach. It's light and airy (so can be worn with comfort in the heat), has long sleeves (so we don't need to worry about sunscreen) and it doesn't matter if it gets wet (which is what the beach is all about). She also constantly wears her long-sleeved top in the same print but seagrass colour.
Beach dress - Printebebe.



Shoes
We're a shoes-off-in-the-house family, so these are perfect for a younger child who doesn't know how to tie laces yet. The velcro means they are easy to get on and off. They are leather too and have moulded well to the shape of her feet.
Shoes - Poppeto.


Hat
The two-year-old is obsessed with this hat. Even though it's getting a little small on her, no other one will do. It provides enough sun shade while folding easily into her bag or ours. (She also loves this dress from Peggy, which will soon have to become a smock top as she's growing.)
Hat - Printebebe.



Swimsuit
Both girls have a swimsuit from Petit Bateau. Strangely, the four-year-old's often falls off her shoulders so I had to adjust with ribbon. This one seems to be a slightly different cut and is the two-year-old's current favourite.
Swimsuit - Petit Bateau.



Sleepwear
Similarly to her Mabo Kids dress, as soon as this nightie is washed it's back on again. When it was first given as a gift, she wasn't interested in trying it on, and then didn't like the labels - but once they were cut she has hardly taken it off.
Nightie - G Nancy.


FOUR-YEAR-OLD GIRL


Outfit
Dresses still feature prominently, such as above, however, the swirling, twirling dresses she favoured six months ago have now made way for jumpsuits she can climb trees in and roam around the property without having to worry about getting caught in long grasses. This jumpsuit wasn't worn much when we were living in the city, but now it's on regular rotation. It is not as high cut in the leg as some others which makes it more of a standalone outfit rather than a jumpsuit that needs to go underneath a skirt. The dresses she does wear though tend to be this one from Minouche (as it's short enough to wear while walking through bushland) and the fine crinkle cotton Faerie dress from Printebebe, as it's not too long (it's her sister's!) but super cool.
Jumpsuit - a few seasons ago from Mabo Kids.

Beach dress
As above - Printebebe.

Shoes
As above - Poppeto.

Hat
As above - Printebebe.



Swimsuit
This swimsuit seems to provide the perfect fit for the four-year-old and she loves wearing it.
Swimsuit - The Bathers Company



Sleepwear
Both girls love their "cat nighties", but they also both enjoy wearing their beautiful linen nightdresses from Bonne Mere. Perfect for hot summer nights. For the four-year-old it's probably a tie between the two different styles.
Sleepwear - Bonne Mere.


SEVEN-YEAR-OLD BOY



Outfit
Coolness is important for the seven-year-old boy. He notices heat and humidity easily and so lightweight t-shirts are important for him. This thin t-shirt is one of his favourites.
T-shirt - Mampapa.



Swimsuit
As he is a slim fit a lot of board shorts are too loose on his frame. These swimmers from The Bathers Company have been great for him, particularly at the beach.
Swimsuit - The Bathers Company.



Sleepwear
We only received these PJs recently, however, he has worn them regularly as they're a loose fit and he doesn't get too hot at night. When it's slightly cooler, he enjoys wearing his star PJs from G Nancy.
Sleepwear - Little Winnie.



Hat
Both the seven-year-old and his four-year-old sister enjoy wearing the paper straw Dingo hat from Fallen Broken St Kids. It provides enough sun protection but is not so tight that it makes them hot wearing it. It's similar to ones that the adults in the house wear too, which I think might have some influence.
Hat - Fallen Broken St Kids.

images the indigo crew

Thursday, 11 February 2016

INTERVIEW | MARCELLA ORELLANA OF AUBRIE







Fashion and textiles have almost always been a part of Marcella Orellana’s life. She learnt to sew at the age of eight, and after school moved from Rockhampton to Sydney to study a Bachelor of Design majoring in fashion at UTS. Marcella graduated with honours and now teaches at the Billy Blue College of Design. However, after leaving the fashion industry to have her two youngest children, about eight years ago, she decided to start creating her own childrenswear label, Aubrie. Word of mouth helped to kickstart interest in the label, however, it wasn’t until Marcella broke her leg in August and could spend some time focussed on the label’s Instagram account that it gained a enthusiastic following. 

With her Autumn-Winter lookbook just shot, Aubrie is now preparing to exhibit at Life Instyle Sydney. Register now to attend the upcoming event that explores Happiness By Design. The trade event runs 18-21 February at the Royal Hall of Industries and Hordern Pavilion.

This post was sponsored by Life Instyle, an event I have attended many times over the years. All editorial content was produced independently. Thank you for supporting businesses that help to make this site possible. - NW 

What was behind the decision to start your brand? Having left the gruelling full-time ragtrade eight years ago to have my two youngest babes, I always knew that the next thing I did would be for myself. I actually started working on this six years ago but consultancy work, lecturing, broken foot and my final baby girl got in the way for a bit but once the stars finally aligned my fourth baby was born. 

What had you been doing previously? I have been a fashion designer for 25 years but always in the womenswear and youth fashion area. However, from the day my eldest daughter was born 18 years ago, I started collecting ideas as always knew I would one day have my own baby/girls label.

What is important to you when designing children's clothes? That they are pretty and practical, good quality, value for money, and where possible only made of natural fibres - despite the little bit of ironing they may require - and that they are timeless enough to be passed down over the years.

How do you try to differentiate your products from others on the market? I’m a great believer in quality over quantity so am always sourcing the best fabric and spend a lot of time perfecting the fit and details and then only produce limited quantities of each style so that they are that little bit more special. Hopefully my brand is known for its quality, the fact that each piece is designed to work back with pieces from previous collections so mums don’t feel they have to buy an entire new look each season and the gorgeous prints and colours that I spend so much time uhmming and ahhhing over for weeks on end at the beginning of each collection wanting them to be just right.

What has been completely unexpected since starting your business? My little Instagram family of customers - a whole new lot of friends - who are just so lovely and keep coming back for more for their little girls.

What is something that people often don’t realise about your wares? I receive lots of lovely messages from my customers when they receive their packages telling me how impressed they are by the fabric and quality and that they are even lovelier in real life. I guess that can sometimes be the downfall of shopping online, that what arrives doesn’t live up to expectations, so love that Aubrie appears to exceed them.

Where do you look to for design inspiration? I have always been a little bit of a collector and still have some of my own baby clothes as well as those of my eldest daughter as well as quite a few vintage pieces and patterns I have collected over the years. I love little details, muted colours as well as the classic French aesthetic. And having taught myself to sew at eight, I appreciate the old school sewing techniques of French seams, hand embroidery and pretty details all of which you’ll find throughout my collection.

What do consider when dressing or styling children? As a mum of two daughters I am a little old school and loved them to look like little girls when they were growing up - by that I don’t mean all frilly and pink as I love a little girl in blue, but like them to wear the clothes rather than the clothes wear them, so Aubrie pieces may be pretty but always practical - hence some of their names like “tree-climbing” skort and “cartwheel” camisole and definitely age appropriate.

What role do you want your products to play in a childhood? That they become their favourite piece that they wear until they just can’t anymore and with a focus on quality make and fabric they should get better with age and teamed with timeless design, after they have been handed down to younger sisters that just perhaps they will want to hang onto it for their own.

What was the last great children's book that you read?
Wherever You Are, My Love Will Find You by Nancy Tillman bought this for my baby girl for Christmas and it's her new favourite - and mine.

images courtesy of aubrie; photography courtney king

Tuesday, 9 February 2016

INTERVIEW | KELLY-LEE WRIGHT OF FEATHER DRUM








While the number of childrenswear brands seems to have exploded in recent years - there aren’t many that beat to their own drum. Enter Feather Drum, the label created by Kelly-Lee Wright, a former corporate lawyer turned clothing designer. After looking at some bohemian-inspired fashion pieces at the Laneway Festival she told her partner that she wished she could dress her daughter in similar clothes. “I saw a gap in the market as I couldn’t buy it for my own daughter and I knew I wasn’t alone,” Kelly-Lee says. That idea saw her launch her first collection, Dream Seeker in August 2014. Fast forward a year and a half later, and the label is stocked across Australia and in the USA, France, Japan and South Korea. “I’m designing new styles all the time, experimenting with new fabrications - in particular organic and more sustainable fabrics - and looking to expand into other areas I’ve not yet touched,” she says, “which you will just have to wait and see!”

Above is a sneak peek at the upcoming AW16 campaign, shot by The Descendants. Below is the current collection, photographed by Jenna Agius.

As part of Feather Drum’s growth, Kelly-Lee is about to exhibit at Life Instyle in Sydney. Register now to attend the upcoming event that explores Happiness By Design. The trade event runs 18-21 February at the Royal Hall of Industries and Hordern Pavilion.

This post was sponsored by Life Instyle, an event I have attended many times over the years. All editorial content was produced independently. Thank you for supporting businesses that help to make this site possible. - NW 

What was behind the decision to start your brand? When my daughter was born it was difficult to buy anything for her that wasn’t powder blue or pink, twee, kitsch or splashed in cartoon characters. Clothing with a distinct bohemian flair in rich earthy tones, colours and textures just weren’t available, so I sat down and designed them myself. 

What had you been doing previously? I worked as a corporate lawyer in Sydney. I’d previously been a lawyer for 10 years back in London before I moved to Australia in 2010.

What is important to you when designing children's clothes? Ensuring I’m offering something innovative, good quality - I like to use natural fabrics that are wearable, washable and gentle on our kids’ skin - and, of course, functional. 

How do you try to differentiate your products from others on the market? A great deal of thought and care is put into presenting a collection that stands out from the crowd and presents a cohesive story. All Feather Drum prints are original custom designed from scratch. Each style undergoes several fitting sessions so the pattern is exact. I design from the heart and apply colour palettes that I love, rather than follow current trends.   

What has been completely unexpected since starting your business? The honest answer is the volume of work and just how incredibly difficult manufacturing is. If anyone considers this an easy way to make a living, it’s not - and that comes from a former corporate lawyer used to working 60 hours per week!

What is something that people often don't realise about your wares? Many people don’t realise we do boys clothing too. Clearly that’s an area I have to work on. And also that we cover the “tween” market.

Where do you look to for design inspiration? I get inspired by a lot of things, particularly nature, different cultures and fashions from a different age. I love vintage clothing and how well made it is compared to the throwaway fashion that we have today. The 70s have been a huge influence on my collections to date and I’ve tried to channel the floaty bohemia vibes reminiscent of Woodstock into my designs. The values transcending from our “hippie free people” back then are definitely ones that I believe should be instilled in our children - peace, love, happiness and respect for the planet.  

What do consider when dressing or styling children? Obviously that they look stylish, but it’s also fundamental that they feel comfortable, that they’re not going to be too warm or too cold, and can move freely. I want children to feel genuinely happy in the outfit they are wearing.

What role do you want your products to play in a childhood? As an adult I can look back to my childhood and remember my favourite pieces of clothing as a child, with the fondest of memories and attachment. It would be amazing to think that there are some children out there that will grow up having those same feelings and memories about a garment I designed. I have a lot of customers who order pieces in especially for family portraits which are being taken. It’s nice to know my clothing is being captured in so many family photographs that will transcend the generations.

What was the last great children's book that you read? I’ve just introduced my three-year-old daughter to the wonderful Roald Dahl. At the moment we're reading Charlie and the Chocolate Factory and she loves it just as much as I did, and still do. 





images courtesy of feather drum


Thursday, 8 October 2015

INTERVIEW | ALLY MAHONEY OF MINOUCHE




















At the start of this year Sydney designer Ally Mahoney decided to take a leap of faith with her children’s wear label Minouche. Up until then she had been making clothes herself and selling them on Etsy. But Ally was struggling to keep up with orders and had to decide if she was ready to get the clothing made in larger quantities - which meant going overseas. “It was so daunting starting a new business, you don’t know how it’s going to be received until you take the plunge,” she says. The reception to her debut collection has been amazing, though, and she's had many repeat orders. Ally was more confident about taking production offshore after she met the people who produce her clothes. It is run by two Australian sisters who pay their staff above the minimum wage, provide medical insurance and double the minimum holidays and pension. "They really do provide a great environment to work in, the factory is such a happy place," Ally says.

Now, the mother of two young girls, is about to launch a Summer collection, which will also expand the size range from three months to eight years. As for the name, “I wanted one that was European, to reflect the simple yet well-made European feel of my designs, and I love kittens – their curiosity, playfulness, and occasional naughty behaviour, reminds me of my girls,” she says. “So I picked Minouche, which is French for kitten.” Ally will be announcing details of the release date of the upcoming collection on her Instagram page.

What was behind the decision to start Hello Minouche? Initially I just started sewing as a hobby – I bought a sewing machine totally on a whim. I just wanted something to do of an evening that wasn’t about cleaning, or the kids, or just sitting around watching TV.

I then progressed to selling handmade pieces through Etsy but before too long I wasn’t able to keep up with the orders that were coming in – it just wasn’t practical, trying to grab five minutes here and five minutes there to sew, getting cranky with the girls for getting in my way or playing cubbies with my fabric.

So I decided to take the plunge and design items to be produced on a larger scale – that way I was able to focus on the tasks I most enjoyed doing – designing, sourcing fabrics and customer service, without having to actually do the sewing myself.

What had you been doing previously? I did a business degree at uni, followed by a Masters in Media, but I spent most of my time pre-kids working in predominantly admin roles with a marketing focus.

I can’t say I ever really enjoyed them but working in generalist roles for small companies taught me so much about running my own business that I’m grateful for them – I haven’t had to outsource anything yet, as a start-up business not having to spend more money is always welcome.

What is important to you when designing children’s clothes? My main motivation is to create something that children like to wear, and their parents like to look at. Creating items that are ethically made is also of huge importance – the last thing I want is to dress my children in clothing that made life worse for someone else. 

How do you try to differentiate your products from others on the market? I try my best not to look at what others are doing. When I first started out selling on Etsy, I spent a lot of time looking at what other brands in my niche were doing. Now, I try and not look at all. 

As someone who finds inspiration constantly from my surroundings, it’s hard for me to know sometimes if I’ve come up with an idea or if I’ve been influenced by someone else. So I feel better within myself if I’m not paying too much attention to what everyone else is doing, at least until the designs have been finalised for the current season.

What has been completely unexpected since starting your business? The wonderful, kind and supportive women I’ve met through Instagram has been a lovely surprise. It is a lovely way to connect with people, improve photography skills and discover life through the eyes of someone else. 

What is something that people often don't realise about your wares? A lot of people don’t realise how much is involved. A few people have wondered what I’m actually doing now that I’m not constructing the garments myself.

While I have outsourced the sewing side of things, there is still the design, sourcing fabrics, marketing, customer service, finances, administration and a lot of trips to the post office.

The scheduling of production is something many people are unaware of too – I’m often asked if I can just make something in a smaller size, or get more stock in of an item. But the decisions regarding stock are made months in advance – and for larger companies much longer – to allow enough time for samples to be made, fabrics arranged, and garment construction. I would love to have a factory at my disposal with staff just sitting around waiting to make a few more of this or that, but unfortunately I don’t - yet, haha.

Where do you look to for design inspiration? I find a lot of inspiration in the books of my childhood – Enid Blyton characters, Anne of Green Gables, the Laura Ingalls stories. I don’t aim to recreate any of their clothing, but in my mind I am creating pieces that could be worn by these spirited characters.

I also spend a lot of time on Pinterest – I draw a lot of inspiration from images and patterns of vintage children’s clothing, and enjoy using elements of these in my designs. 

What do consider when dressing or styling children? Above all, comfort. To me this means natural fibres and comfortable designs, and for children not to look like they’ve been fussed over much at all. Whether they’re going to the beach, playing in the yard or going to a party, they’re going to be running, climbing, jumping and dancing, and their clothes should be comfortable enough to do this. And as a parent, you don’t want them wearing something that isn’t going to stand up to a bit of rough and tumble.

That being said, I also think it’s really cute when they come up with their own styling, and I give my girls the freedom to wear whatever they choose, although often inside I’m screaming for them to choose something else.

What role do you want your products to play in a childhood? I hope that they can become pieces shared between sisters, cousins and friends. I’m the youngest of four, with three sisters, and a lot of the clothes my girls wear have been handed down from cousin to cousin, and are now on to the fifth child. I’d like to create pieces that are loved that much, and made well enough, to last that long.

Clothing plays such a big part childhood memories – I can vividly remember the dresses my mum made, the dresses worn to birthday parties and at Christmas. It would mean so much to me if a little girl remembers in years to come one of my pieces as her party dress, or playsuit she wore on a lovely picnic with her family.

What was the last great children's book that you read? For Lottie we are loving Imagine by Alison Lester – it’s a lot of fun, and a challenge, trying to find everything on each page. Molly is still a major fan of Dear Zoo and Oh Dear!, and so am I. She is probably getting a bit big for them now but neither of us ever get tired of it. I can’t wait until they get into some Enid Blyton, Judy Blume, and maybe a little Babysitters Club and Sweet Valley High.


images courtesy of ally mahoney of minouche